How David Berlow is protecting his creative IP
Following Monotype’s acquisition of Berlow’s type families, the designer believes the move can secure his legacy in an AI-dominated future of design.
The latest graphic design projects spanning brand identity design, animation and print, along with interviews with up-and-coming and established graphic designers.
Following Monotype’s acquisition of Berlow’s type families, the designer believes the move can secure his legacy in an AI-dominated future of design.
For Global Accessibility Awareness Day, we asked experts how design can help improve accessibility for digital experiences as well as physical experiences.
Using the behaviours of musical soundwaves and vibrations, an animated logo pairs sound and animation “in a non-traditional way”.
ReCovered and ReFramed at the Chicago Architecture Center explore urban trees and building with wood through scale illustrations and digestible infographics.
A new book with detailed information on suppliers and techniques for sustainable printing has been released by Park Communications.
Aero’s suite of graphic devices, including six 3D animated icons, aim to communicate its environmental and functional benefits.
Now named LeShuttle, the service hopes to present itself as an easier, greener alternative to air travel with a new “progressive” logo and “innovative” colour palette.
The new passport also boasts several high-tech security features such as a polycarbonate data page and a new Kinegram over the main photo.
How Mother Design sought to help the company go mainstream with an identity that references butcher shop signage and a “smiley fork” graphic device.
Warner Bros. new shield was designed to evoke its 1948 emblem with a corresponding typeface that complements the WB letterforms.
For the National Library of Norway, Nissen Richards designed an “atmospheric” exhibition taking visitors on an emotional journey through the heavy metal subgenre.
A new exhibition considers two studios that experimented with type design following the invention of the Mac, and their echoes in a new generation of women type designers.
Proposals are invited for an “inspired design” of a timepiece to be used across the British rail network.
JKR worked on the 77-year-old juice brand’s first global identity, which features hand-drawn illustrations and “juicy drop terminals” in its primary typeface.
For a new workspace in the former Daily Mail print works and Printworks London venue, DixonBaxi created a design system drawing on its heritage.
The new identity is based on the “power” of the orchestra’s sound which can “fill spaces and places”.
Atelier Works commissioned artist Andrew Davidson to work on the stamp illustrations, which were based on wood engraving similar to those he produced for King Charles III’s book, Harmony.
Evolved from the design of Cactos’ energy storage system, Hasan & partners has created a hexagonal graphic device to reference the form of the product.
Using a combination of graphic effects and colour gradients, Echo has sought to add “softness” to the Kleenex identity.
Design events this month include a book on Isamu Noguchi and his creative relationship with Greece, design and tech festival All Flows, and a talk from Gail Anderson on four-decades
Fluus’ pads ability to break down to “half the size of an eyelash” is reflected through “dispersal” animations and a pipe-like wordmark by Mother Design.
Family (and friends) used modernised graphics and manifesto-like packaging to spotlight Mighty Oat’s use of solar and wind for its sustainable milling process.
Analogue devised an “organic” typeface and colour palette to convey the brand’s sustainable commitments, while giving each of its SKUs character through illustrations.
Using a graphic system “that feels like child’s play”, Mucho wanted to create an identity that cut through the “complex jargon” in the US healthcare space.